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February 15, 2007

New Improved Cartel Jihad! Now More Efficient Than Ever! - From Copyfight

New Improved Cartel Jihad! Now More Efficient Than Ever!:


In case you were fooled lately into thinking that the RIAA and the rest of the Content Cartel were going to pursue a policy other than "Sue All the World, Sue All the Children" please permit the blog "Recording Industry vs The People", maintained by NYC lawyers Ty Rogers and Ray Beckerman, to adjust your reality.

The blog has posted a letter appearntly leaked from the RIAA. In this letter the Cartel enforcement arm attempts to cajole ISPs into maintaining subscriber ISP records for 180 days. To make its lawsuits go more smoothly, of course. In exchange for shutting the hell up and turning over data promptly the ISP's customers get a promise of a $1000 discount for payment prior to lawsuit being filed. It's not at all clear to me why any sane ISP would sign on to this deal since it means more work and more risk for them, not to mention the exposure of being counter-sued by irate customers for turning over records.

You can read a brief summary on the lawyer's blog, and extensive commentary on the various links below the entry. The gist is still the same - the RIAA wants more suits, faster suits, more settlements, and fewer embarrassing publicity gaffes. I can't exactly blame them for wanting these things, but I'd rather they realized that they haven't made any difference in the past 7+ years of suing their customers and they're not going to make a difference if they spend another 77 years suing their customers.


EFF takes Viacom to task over YouTube takedown

EFF takes Viacom to task over YouTube takedown:


Web rights advocates say YouTube contributors mistakenly accused of infringing upon Viacom copyright may be the real victims.

January 18, 2007

WIPO anti-podcasting treaty refuses to die

WIPO anti-podcasting treaty refuses to die:


Cory Doctorow:

The WIPO Broadcast Treaty meeting is back underway -- this is a treaty to birth a new kind of copyright that goes to broadcasters, web-hosters, and other people who don't create, only distribute. Under the rules proposed by WIPO, it wouldn't matter if copyright lets you make use of some material (because of fair use, Creative Commons, public domain, etc) -- you'd also need permission from the company that hosted or distributed the material.

Slashdot has picked up the story and has some great, vigorous discussion about it.

If YouTube, et al have done anything, it's show that a different business model can work: the value is not in production of the material, it's in delivering it.

Previously, if I had wanted lame videos of punk skateboarders doing tricks, angsty teenagers venting their mixed-up feelings, middle-age housewives body-popping, etc. I would have had to spend countless hours trolling the murky depths and dark recesses of the Internet to find them. Thanks to YouTube, I have a single, convenient place to satisfy my disgusting and perverse needs.

Seriously though, can we please stop trying to create artificial scarcity? We don't really need it; TV shows, movies, and music worth paying for are already scarce enough.

Link

See also:

Massive victory at WIPO!

WIPO wants to give webcasters the right to steal from public domain, Creative Commons and GPL

European podcasters to WIPO: Stay away from us!

WIPO meets to screw up podcasting, Barcelona, June 21

Secret WIPO memo: rich countries to kill Broadcast Treaty, Development Agenda

WIPO pulls out dirty tricks to kill participation from consumer groups

How the US is boning the developing world at WIPO

WIPO Broadcast Treaty: consolidated three-day notes

Copyright treaty laid bare: watch your governments make sausage!

Tech companies tell WIPO: we don't want your "protection"

WIPO playing dirty tricks to keep public interest groups out


December 11, 2006

Could Congress Abolish the GPL?

Could Congress Abolish the GPL?:


The GPL is based on a license contract that is imposed upon those who
copy GPL materials.  Those materials are covered by a copyright that allows the author(s) to sometimes (but not always) say "no" to those who wish to make copies unless the copier agrees to a the license contract.

(Those who think that the GPL is anti-copyright are wrong - the GPL is very firmly grounded on the concept of strong copyright and the power of authors to leverage that copyright to dictate the terms under which those copies may be used.)

There is usually no actual meeting of the parties; the contract comes into existence because we tend to assume that the person making the copy agrees to the license because to do otherwise would be making a copy without the permission of the author(s.)

The Supreme court has made it abundantly clear that Congress has very broad discretion to define how to shape and apply the copyright power granted to Congress by the US Constitution.  Congress also has the power to establish the jurisdiction of the US Federal courts.

One thing that sets open source based materials apart from more traditional works is that open source works are often the result of many hands applied many times over a period of time.  Even with good source code controls it can be hard to say with precision who authored what part.  And, perhaps more importantly, the contribution of many of the authors may be small, and the contribution of other authors, even if large, may be spread over many small changes spread over a long period of time.  In other words, the composit open source work is really a myriad of small works of many authors and many dates.

When someone is accused of copying a traditional work, that work is usually the product of a small and easily identified group of authors.  Such a group may be hard to define for an open source work.  And even if that group can be defined, the contribution of each author may be small and made through many distinct acts of authorship or reorganization of code previously authored by earlier contributors.

Suppose Congress were to amend the US copyright laws so that the right of copyright were limited only to those authors that could show clear authorship of substantial parts of a work?

If the US copyright laws were amended in this way, would this make the GPL enforceable only by a few of the authors rather than by any author?

Suppose Congress were to take a further step and deny protection to works that were created through the kind of open, collaborative, incremental development process that is the hallmark of open source?  I imagine that wordsmithing such a provision could be hard, particularly given that Congress probably would not try to remove copyright from materials produced by many hands over many years in by hired corporate programmers (I wonder if the existing for-hire rules may already resolve this.)  But hard does not mean impossible - I do not doubt that with effort Congress could draft language that embodied such distinctions.

I sense that the GPL advocates, because of their enthusiasm, indeed their almost fanatic zealotry, could drive the equally fanatic, but far better organized and far more wealthy, zealots of the intellectual property industry to use their considerable powers to persuade Congress to amend the copyright laws to cripple the GPL.

I have concern that GPLv3 might be the match that could ignite this kind of reaction.


November 05, 2006

The Value of the Public Domain - Larry Lessig

The Value of the Public Domain:


I hadn’t seen this piece when it came out in July. The Value of the Public Domain by Rufus Pollock is an excellent analysis of how one might quantify the value of the public domain. It nicely introduces what otherwise strikes many as counter intuitive. Highly recommended.

After reading Pollock’s piece, for example, it is much easier to see the fallacy in any public policy argument that tries to suggest there is an economic harm from failing to extend the term of an existing copyright. The key is the distinction between social value and individual value.

E.g., imagine a society that every year randomly selected 100 people, and sent them a check for $1m. The $100m needed to fund this program is raised each year by a tax on everyone within the society. Then some enterprising politician says: Hey, this is a waste of resources. Let’s stop this program. While it’s simple to see why such a change would be “Armageddon” for those in the $1m club, it would take lots of hand-waiving to argue (convincingly at least) that the change would be harmful to society.

Or remember how Macaulay (1841) put it (nicely reproduced in full by Eric Flint):

The principle of copyright is this. It is a tax on readers for the purpose of giving a bounty to writers. The tax is an exceedingly bad one; it is a tax on one of the most innocent and most salutary of human pleasures; and never let us forget, that a tax on innocent pleasures is a premium on vicious pleasures. I admit, however, the necessity of giving a bounty to genius and learning. In order to give such a bounty, I willingly submit even to this severe and burdensome tax. Nay, I am ready to increase the tax, if it can be shown that by so doing I should proportionally increase the bounty.

Me too. Absolutely. Taxes are awful, but necessary. Let’s have them where necessary, but only when necessary. And so why not have them to extend the term of an existing copyright? BECAUSE THIS IS A TAX THAT CANNOT “INCREASE THE BOUNTY.” The work is already produced. No matter what we do today, Elvis is not going to produce any more recordings in 1957. So it is a tax that benefits some plainly (those who get almost twice the term they originally bargained for), but benefits society not at all. I.e., a very bad tax.


October 26, 2006

DVD Jon Does It Again

DVD Jon Does It Again:


Apparenly Jon Johansen has cracked the code that locks iPods into downloading only from iTunes. If this is true then it should be possible for other stores to offer iPod content for purchase.

Unlike some of Jon's other code ventures, this one sounds like a legitimate case of reverse engineering with obvious business models. Like hackers who crake proprietary codes for things liek printer cartridges, Jon's crack doesn't directly remove Apple's DRM, but it does permit competitors to enter a market that had been technology-locked.

It will be trivial, of course, for Apple to change its codes and push a download out to iPod users any time they connect to iTunes or other networked Apple service. This change could re-establish Apple's monopoly. However, if Apple does so, what's to stop a rival music provider from suing for unfair restraint of trade? It seems to me that the printer-cartridge analogy is pretty strong and would give at least a skeleton of a legal case.

According to the Ars Technica blurb, Johansen and his new company will argue that the enabling of competition is protected by the interoperablity clause in the DMCA. This is a very different story than an effort to make iTunes music available on other players, wihch might be viewed as impermissible removal of DRM software.


July 31, 2006

Why the CBC doesn't need DRM

Why the CBC doesn't need DRM:


Cory Doctorow:

A blog post from the Canadian Broadcasting Corporation defended its practice of forcing Canadians to use American DRM software like Windows Media Player to watch the programming they pay for with their tax dollars, making the preposterous claim that if it didn't use DRM it would be sued. Canadian Internet law scholar Michael Geist takes apart the post and shows how the CBC could deliver more value to the people who pay for it by abandoning DRM.

First, there are many other public broadcasters who not only reject DRM, but have adopted open licenses (RadioBras in Brazil makes all of its content available under Creative Commons licenses). Second, there is no legal requirement to use DRM under Canadian law. If certain rights holders demand DRM use, the CBC has an alternative. It can reject those demands and choose instead to use only music that rights holders permit to be broadcast without DRM.

There is no shortage of such music. In addition to the hundreds of thousands of Creative Commons licensed songs and the thousands of classical music recordings in the public domain, the majority of Canadian independent labels reject the use of the DRM. Those labels are responsible for 90 percent of new Canadian music, so it seems to me that the CBC will have lots of Canadian content to choose from in its broadcasts and streams. Most of the music that may require DRM protection is likely that from foreign labels promoting foreign artists. While it would be great to include them in CBC broadcasts, Canada's public broadcaster should be rejecting DRM and moving toward as open a platform as possible. The inclusion of greater Canadian content and the ability to truly meet its mandate to be as accessible as possible to all Canadians make this the obvious path to take.

Link

(Thanks, Michael!)


June 03, 2006

Copyright office jacks up the price of rescuing orphan works

Copyright office jacks up the price of rescuing orphan works:


Cory Doctorow:

John Mark sez, "Folks who value creative content rescued from obscurity may be concerned about major fee increases proposed by the US Copyright Office. At the end of this month, they plan to double the fee for copyright records searching from $75 to $150 per hour (it was $20/hr as recently as 1999), and add a new $100 fee just to give frugal searchers an estimate of how much a real search is likely to cost!"

Link

(Thanks, John Mark!)


Captain Copyright: Wikipedia pirate!

Captain Copyright: Wikipedia pirate!:


Cory Doctorow:

Jim sez, "Captain Copyright includes two quotes about ISBN's from Wikipedia, but fails to follow the requirements of Wikipedia's GNU license by providing a direct link back to the source article or even acknowledging the GNU license as required by Wikipedia."

Captain Copyright is the propaganda cartoon character created by Canada's Access Copyright agency to "educate kids about copyright, in the most biased, one-sided and intellectually dishonest way imaginable.

Link

(Thanks, Jim!)

Update: Allison sez, "I found one of the suggested Captain Copyright activities for grades 6-8 quite interesting. Activity 2: Does It Break the Law?, the stated purpose of which is 'To identify actions that infringe copyright,' suggests getting students to 'use a dictionary to define the word infringement. Ask students to share their definitions.' Hopefully, they're not going to be using Merriam-Webster online, which states 'No part of the work embodied in Merriam-Webster's pages on the World Wide Web and covered by the copyrights hereon may be reproduced or copied in any form or by any means—graphic, electronic, or mechanical, including photocopying, taping, or information storage and retrieval systems—without the written permission of the publisher.'"


May 02, 2006

Sen Stevens tries to sneak the Broadcast Flag into law

Sen Stevens tries to sneak the Broadcast Flag into law:


Cory Doctorow:

Senator Ted Stevens (R-Alaska) has snuck the Broadcast Flag into a bill on Net Neutrality. The stealth clause authorizes "the FCC to establish a broadcast flag to allow TV stations to protect digital content from Internet piracy."

What this means is that Senator Stevens is trying to pass a law that will allow broadcasters -- who enjoy free use of billions of dollars' worth of public airwaves -- to veto any features of digital televisions and downstream devices. Ultimately, that means that the FCC would, on behalf of broadcasters, get control over the design of video recorders, optical drives, network interfaces, hard disks, computers and operating systems. A brief far more sweeping than the FCC has ever had before, making them into America's "device czars," charged with ensuring that the business models of the broadcasters and Hollywood studios won't be disrupted by technology.

One element of the broadcast flag proposal is that is prohibits the use of free and open source software in digital TV applications (including PC operating systems, video drivers, etc). That's because the Broadcast Flag requires that devices be built to be "robust" -- that is, to resist the attempts of their owners to modify or improve on them. It's as if Senator Stevens is trying to pass a law requiring the hood of every car to be welded shut when it leaves the factory, to make sure that no driver ever gets to change his own oil.

Link

(Thanks, Tony!)


April 13, 2006

Digital Copyright Law Hurts Consumers, Scientists, and Competition

Digital Copyright Law Hurts Consumers, Scientists, and Competition:


EFF Report Highlights More Unintended Consequences in Seven Years of DMCA

San Francisco - In the seven years since Congress enacted the Digital Millennium Copyright Act (DMCA), examples of the law's impact on legitimate consumers, scientists, and competitors continue to mount. A new report released today from the Electronic Frontier Foundation (EFF), "Unintended Consequences: Seven Years Under the DMCA," collects reports of the misuses of the DMCA -- chilling free expression and scientific research, jeopardizing fair use, impeding competition and innovation, and interfering with other laws on the books. The report updates a previous version issued by EFF in 2003.

The report tells the story of the delay of the disclosure of the Sony BMG "rootkit" vulnerabilities on millions of music CDs. The dangerous software flaws were initially discovered by Princeton graduate student J. Alex Halderman. But Halderman delayed sounding the alarm about the security problems for several weeks so he could consult with lawyers about potential violations of the DMCA. The report also details the DMCA's role in impeding RealNetworks from selling digital music to Apple iPod owners, along with other unintended consequences from the DMCA.

"Rather than being used to stop 'piracy,' the DMCA has predominantly been used to threaten and sue legitimate consumers, scientists, publishers, and competitors," said EFF senior staff attorney Fred von Lohmann. "This law is not being used as Congress intended, and a review of the past seven years makes it clear that reform is needed."

For "Unintended Consequences: Seven Years Under the DMCA":
http://www.eff.org/IP/DMCA/?f=unintended_consequences.html

For more on EFF and the DMCA:
http://www.eff.org/IP/DMCA/

Contact:

Fred von Lohmann
Senior Intellectual Property Attorney
Electronic Frontier Foundation
fred@eff.org


March 31, 2006

Richard Stallman: "The Future of Free Software "

Richard Stallman: "The Future of Free Software ":


Richard Stallman gave the keynote speech at the Turin, Italy, meeting on March 18 about the drafting of GPLv3, "The Future of Free Software," and I thought you'd like to read it. You can also view a video of it, if you prefer at http://streaming.polito.it/TFOFS [Ogg]. The current draft of GPLv3 is here. He explains very clearly the more complex proposed changes, such as the clause on DRM ("Tivo-ization") and patents. I have to frankly tell you that the opening part about not using the phrase "intellectual property" seems to be at least in part about a conversation we had on using the phrase, because I maintained that if you are referring to the law, there is no confusion, that it's a term of art that has a specific meaning in the law. Lawyers know the difference between patent and copyright law, even if no one else does, and so when they use that term as an umbrella phrase, they know what they mean. Obviously he disagrees, for all the reasons he explains in this speech. I'm just fessin' up that he's responding, I think, to my position and basically saying I'm all wet. I realize he's likely had that conversation with many other people. But that doesn't inhibit me one bit from producing the whole speech, because for all I know he's right, and anyway, I don't have to agree with everything he ever says in every area to know it's worthwhile to listen. And when it comes to the GPL, there is no one better to tell us the purpose of the license and what is intended than the man who has the final say. He addresses that too, at the very end. His explanation of the purpose behind the proposed changes in the GPL is very useful, and I am sure it will clarify the draft license for you. He also tells what they decided *not* to try to do. So here is his speech, in full. The transcript is by Ciaran O'Riordan. If you click on the first link to the speech, you will find more links to further information.

March 21, 2006

Creative Commons license upheld by court | CNET News.com

Creative Commons license upheld by court | CNET News.com:


A court in the Netherlands has ruled that a Creative Commons license is binding in a case brought against a Dutch gossip magazine by an ex-MTV star.

This is one of the first times that the license--which offers more flexibility than traditional copyright licenses--has been tested in a court of law, according to legal Web site Groklaw.

"The Creative Commons licenses are quite new, so there has been very little in the way of case law so far, so this is a significant development," Groklaw reported.

Right-wing think-tank hates DRM

Right-wing think-tank hates DRM:


Cory Doctorow:

The Cato Institute, an ultra-libertarian, right-wing think tank, has released a white paper damning the US Digital Millennium Copyright Act's ban on breaking the anti-copying systems used to cripple digital media, like DVDs and iTunes songs.

It's amazing to watch crippleware come under attack from all points of the compass -- Marxists and anarchists hate DRM. Libertarians hate DRM. Media studies people, economists, and musicians hate DRM.

But it takes sharp free-market types like the Cato characters to bust out elegant critiques like this one:

The movie industry has every right to segment the worldwide market for DVDs, but it

should bear the costs of doing so. Those

costs might include requiring no-resale contracts with distributors and monitoring sales

in low-price countries to make sure DVDs

were not being resold outside their intended

market. Deciding whether those costs would

be worthwhile might be difficult. The indus-

try’s desire for market segmentation is not,

however, a good reason to outlaw the sale of

unofficial DVD players. The role of government is not to ensure that a private business’s

pricing strategy succeeds, and consumers,

who have not agreed to help enforce the DVD

cartel’s segmentation scheme, are under no

obligation to respect it.

I've heard for years that the Cato Institute was divided on DRM and copyright, so it's good to seem them taking a stand now. I think they've only scratched the surface, though. Of special interest to free-marketeers should be the way that DRM lets Apple hijack the music companies' copyright monopoly and turn it into a tax on Apple customers who switch from an iPod to a competing product. You can keep your MP3s if you switch from Windows to Mac, but if you switch from iPod to Creative, kiss your iTunes goodbye. Talk about anti-competitive!

And how about TiVo updating its devices to cripple them after their customers have already paid for them? Or Macrovision using its monopoly over DVD anti-analog tech to jack up its licensing prices to the movie industry? If you like free markets, DRM are a nightmare from top to bottom.

Link

(via Michael Geist)


March 16, 2006

Open Rights Group wades into DRM debate - Security Strategy - Breaking Business and Technology News at silicon.com

Open Rights Group wades into DRM debate - Security Strategy - Breaking Business and Technology News at silicon.com:


An MP's suggestion that the British Library moderate the debate over digital rights management (DRM) and copyright law has been welcomed by cyber rights campaigners.
Suw Charman, executive director of the Open Rights Group (ORG), said on Wednesday that the British Library would be "an excellent facilitator" of DRM debate.
She said: "There definitely needs to be a wider debate around DRM. Libraries understand copyright in great detail, and the British Library especially has a great deal of experience in the nuances of DRM and copyright law. It would be a fantastic facilitator of public debate."
The British Library seemed surprised at MP Derek Wyatt's suggestion on Tuesday that it lead the debate on DRM and present results to government but has indicated its willingness to "play a part".
Lynne Brindley, chief executive of the British Library, told the Westminster eForum on DRM: "The library will maintain a balanced view between extremes in debates on rights protection. A healthy creative economy needs an intellectual-property framework that rewards creativity."
Charman agreed with Wyatt's assertion that copyright often doesn't benefit the creator.

March 15, 2006

Piracy is as Piracy Does - JSQ

Piracy is as Piracy Does:


Interesting note here
about how the MPAA is blaming piracy for 9% less revenues last year.
Why is it always piracy?
maybe Lucas is right;

maybe the era of the blockbuster is over.

If so, blaming the customers for demonstrating a market need for
something else delivered differently won't solve the motion picture
industry's malaise.


Me, I did go see Peter Jackson's blockbusters, but precious few others.
There are good Hollywood films out there.
I saw Crash twice: once on an airplane and once on a DVD I bought.
I never considered going to a movie theater to see it.
Why put up with talkative audience, overpriced drinks, and the possibility
of being arrested for carrying a cell phone that can record movies?

The Internet is not the problem with movies. The big risk the motion picture industry is facing is in sticking too long with a business model that is outdated.

-jsq


March 14, 2006

MPAA vs Usenet

MPAA vs Usenet:


Following its strategy of smashing torrent-linking sites, the MPAA has filed suits against three companies that provide searches for Usenet content including illegally copied movie files. All three of the current targets have the air of shadiness about them, being essentially anonymous registered shells. However, as Bray points out in his Boston Globe story, success here will likely embolden the Cartel to tackle more well-known Usenet index sites like Newzbin.com and Nfonews.com. And sitting at the far end of that road is Google, which owns a huge database of old Usenet postings and whose index likely contains more than a few files the MPAA wouldn't approve of.

March 10, 2006

Pope Benedict to Receive Nasty Letter from RIAA?

Pope Benedict to Receive Nasty Letter from RIAA?:


File this under "funny for now" but given the RIAA's latest flip-flop on the legality of ripping your own CDs, maybe not funny for long.

A Copyfight reader pointed me to the Canonist blog, on which we read a report of Pope Benedict XVI being given a gift of a pre-loaded iPod, containing "a sampling of the radio’s programming in English, Italian and German and musical compositions." As the blogger notes, it's unlikely that these tracks were individually paid for, as the RIAA would have us do. We can barely wait until the Cartel's jihad reaches the Holy See.



February 22, 2006

RIAA Says Ripping CDs to Your iPod is NOT Fair Use (Dennis M. Kennedy)

RIAA Says Ripping CDs to Your iPod is NOT Fair Use (Dennis M. Kennedy):


So your ability to continue to make copies of your own CDs on your own iPod is entirely a matter of [the RIAA's] sufferance.

November 27, 2005

Study suggests DMCA takedown regs abused

Study suggests DMCA takedown regs abused:


Surprise surprise

November 04, 2005

BBC NEWS | Technology | Microsoft scans British Library

BBC NEWS | Technology | Microsoft scans British Library:


About 100,000 books in the British Library are going to be scanned and put online by software giant Microsoft.
The books, which are out of copyright, will be digitised from 2006 and put online as part of Microsoft's book search service next year.

Microsoft is already working with the Open Content Alliance (OCA), set up by the Internet Archive, to put an initial 150,000 works online.

A separate global digital library plan by Google is also under way.

The search giant is spending $200m (£110m) to create a digital archive of millions of books from four top US libraries. It is also digitising out-of-copyright books from the UK's Oxford University.

November 03, 2005

Broadcast Flag Hearing Today

Broadcast Flag Hearing Today:


Public Knowledge posts information about today's Judiciary Subcommittee hearing, "Content Protection in the Digital Age," including a link to the webcast, at 2:45 PM EST.


Along with a bill giving the FCC a blank check to reimplement the once-killed Broadcast Flag Rule, the hearing has proposals on the table to close the "analog hole" and to restrict digital radio receivers. Like the Broadcast Flag, these additional controls won't stop "piracy," but they will block user innovation and non-infringing uses of media content.



May 20, 2005

Intellectual Property Justice League (Ernest Miller)

Intellectual Property Justice League (Ernest Miller): "

Copyfighters may want to visit the IP Justice League of America, 'celebrating the only comic book of international super-star INTELLECTUAL PROPERTY POLICY super heroes!' Not much there yet, except some Warhol-esque portraits that rollover to declare:

  • Eblen Moglen - 'Batman'
  • Larry Lessig - 'Superman'
  • John Gilmore - 'Green Lantern'
  • Robin Gross - 'Wonder Woman'
  • Richard Stallman - 'The Martian'
  • Ed Felten - 'The Flash'
And the following:
Can the IP Justice League save Wil Wheaton from super-villain Jack Valenti? Will they defeat his evil army of psycho culture pirates!? Whose side is Avril Lavigne REALLY on??
I guess we'll just have to stay tuned to the same IP Justice League Channel, same IP Justice League time for more. How about an RSS feed instead, so I know when it is updated?

(And would this group actually call themselves the Intellectual Property League? Wouldn't they use some other term?)

via BoingBoing

"

(Via Copyfight.)

April 28, 2005

Help Break the IP Stupidity Pact (Donna Wentworth)

Help Break the IP Stupidity Pact (Donna Wentworth): "

Not long after James Boyle penned his excellent Financial Times column bemoaning the 'evidence-free' way legislators craft intellectual property law and policy, Senator Rick Santorum gave us a prime example. Specifically, the Senator introduced a bill to stop the publicly funded National Weather Service (NWS) from publishing user-friendly weather data on the Internet. Why? Because he believes that private companies like AccuWeather would make even more money if they didn't have to compete with 'free.'

As Boyle pointed out in an earlier FT column, AccuWeather likely wouldn't exist at all if it weren't for the US policy of making taxpayer-funded raw weather data freely available at the cost of reproduction. In other words, the private weather industry is already benefiting -- richly -- from our tax dollars. Senator Santorum is proposing that we pay twice for our weather information in order to further line the pockets of private companies.

In my previous post on the subject, I suggested that very few people would challenge the Senator on his assumption that the weather industry can't compete with free -- even though it already is. Here's your opportunity. EFF has just posted an action alert on the Santorum bill with a model letter so you can tell your representative you oppose it. Check it out, add your own thoughts, and send a letter today. And don't forget to pass the word along -- we need each and every voice of reason out there to chime in on this one.

"

(Via Copyfight.)

April 22, 2005

James Boyle on Copyright Stupidity (Donna Wentworth)

James Boyle on Copyright Stupidity (Donna Wentworth): "

James Boyle has just delivered the pièce de résistance in his three-part series on copyright for the Financial Times: Deconstructing Stupidity. The stupidity in question is the way that governments typically make intellectual property law and policy -- that is, without evidence that it will produce the desired social or economic benefit.

'If the stakes were trivial, no one would care,' observes Boyle. 'But intellectual property (IP) is important. These are the ground rules of the information society. Mistakes hurt us. They have costs to free speech, competition, innovation, and science.'

Why, then, do we make these mistakes? According to Boyle, it's not only 'corporate capture' that makes governments stupid about copyright. They also suffer from any number of delusions, making them susceptible to 'anecdote and scaremongering.'


The film and music industries are tiny compared the consumer electronics industry. Yet copyright law dances to the tune played by the former, not the latter. Open source software is big business. But the international IP bureaucracies seem to view it as godless communism.

If money talks, why can decision-makers only hear one side of the conversation? Corporate capture can only be part of the explanation. Something more is needed. We need to deconstruct the culture of IP stupidity, to understand it so we can change it. But this is a rich and complex stupidity, like a fine Margaux. I can only review a few flavours.


The three flavors in this particular tasting: 'maximalism,' 'authorial romance,' and the legacy effects of 'industry contract.'

As Boyle writes, IP delusions are not merely stupidity. They constitute 'an ideology, a worldview, like flat earth-ism. But the world is not flat and the stupidity pact is not what we want to sign.'

Absolutely not. But delusions are by their nature difficult to shake.

In part two of the series, Boyle pointed out that in the US, we make weather data available at cost -- yet we have a thriving private weather industry. Now, Siva Vaidhyanathan brings news that Senator Rick Santorum (R-PA) wants to prevent the National Weather Service from giving away weather information because it competes with the Weather Channel.

'It is not an easy prospect for a business to attract advertisers, subscribers or investors when the government is providing similar products and services for free,' says Santorum in a Palm Beach Post article. How many people will challenge the Senator on his assumption that the weather industry can't compete with free? I'll wager not many -- despite the fact that it already is.

"

(Via Copyfight.)

April 10, 2005

from the continuing-disappointment-that-is-the-NYTIMES department

from the continuing-disappointment-that-is-the-NYTIMES department: "

So there's a view about the file-sharing debate held by most people who don't know anything about the debate. It is a view the recording industry likes most people to hold. It is a view far from anything anyone interesting is saying.

The view - call it the uninformed stereotype (US) view - goes something like this: that there are just two sides to this debate, those who favor 'piracy' and those who don't. Supporters of Grokster are people who favor piracy, and who are against artists.

On Thursday, at the NYPL, I had the extraordinarily pleasure of being on stage with Jeff Tweedy and Steven Johnson, for a discussion titled 'Who Owns Culture?' The evening started with 15 minutes of me and my 'powerpoint' (actually, Keynote), and then a 50 minute discussion with Tweedy and me, moderated by Johnson. There was then time for questions from the audience.

It was an extraordinary evening. I had the chance before to talk to Tweedy, so I wasn't surprised. But he was extraordinary — funny, subtle, smart about the issues, and deeply passionate. Suffice it that neither he nor I (as is obvious to anyone on this page) subscribe to, or fit, within the US view. I explicitly denounced 'piracy'; Tweedy -- in context -- said nothing to support the view that people should infringe the rights of other artists.

David Carr of the New York Times was at the event. He wrote a review. Everyone I've spoken to loved the piece. I think they loved it because it was a piece printed in the Times, and we're a culture that loves attention more than accuracy.

The review is filled with quotes from Tweedy, taken out of context, to support the US view. Nothing in the article suggests anything was said at all contrary to the US view. One reading the piece would think, there they go again, those supporters of theft, and haters of artists.

I'm not sure why there needs to be a NYTimes, if its role is simply to reinforce what people already think, especially with pieces like this. God forbid the Nation's paper of record should reflect something more subtle or complex than the crudest view of an important debate.

"

(Via Lessig Blog.)

April 07, 2005

What the Entertainment Industry Really Wants to Do to the Internet (Donna Wentworth)

What the Entertainment Industry Really Wants to Do to the Internet (Donna Wentworth): "

CoCo blog has what European Digital Rights says is the wish list by the European international versions of the MPAA and RIAA (the MPA and IFPI) for Internet service providers: Movie & Music Industry Proposals ISP Self-Regulation. Evidently, they want ISPs to:


  • 'remove references and links to sites or services that do not respect the copyrights of rights holders'
  • 'require subscribers to consent in advance to the disclosure of their identity in response to a reasonable complaint of intellectual property infringement by an established right holder defence organisation or by right holder(s) whose intellectual property is being infringed'
  • terminate contracts of recidivist
  • implement instant messaging to communicate with infringers
  • implement filtering technologies to block sites that are 'substantially dedicated to illegal file sharing or download services'
  • voluntarily store data for copyright enforcement

Did I say 'wish list'? Sorry; that would be 'hit list.'

"

(Via Copyfight.)

March 30, 2005

Supreme Court Justices Grill Both Sides at Copyright Hearing

Supreme Court Justices Grill Both Sides at Copyright Hearing: "

MGM v. Grokster Raises Questions About Innovation and Litigation

Washington, DC - The Electronic Frontier Foundation (EFF) was heartened to hear the Justices of the United States Supreme Court engage in a lively debate Tuesday about whether technology manufacturers should be held liable for the infringing activities of consumers. At stake is nothing less than the future of innovation in the United States - if vendors are held responsible for what people do with their products, even tech giants like Intel say they'd have to fire engineers and hire lawyers.

MGM and nearly a dozen other entertainment companies argued that peer-to-peer software manufacturers Grokster and StreamCast had built their businesses by distributing 'infringing machines.' But counsel for the entertainment industry, Donald B. Verrilli Jr. of the law firm Jenner & Block, scarcely finished his opening statements before the Justices interrupted with pointed questions about how his arguments would impact technological innovation. Justice Antonin Scalia asked how the industry would protect nascent technologies from 'out-of-the-box lawsuits,' and Justice Stephen Breyer pushed him to explain why MGM's argument wouldn't also apply to the iPod, Xerox machines, and even Gutenberg's printing press.

Richard G. Taranto of the law firm Farr & Taranto, who represented respondents Grokster, Ltd., and StreamCast Networks, Inc., replied that it was crucial for the Court to reaffirm its 21-year-old Betamax ruling, which held that companies should not be barred from selling products that may be used for copyright infringement if there is a potential for significant legal uses. Taranto also pointed out some of the many noninfringing uses for peer-to-peer software, including genomics research, archiving works in the public domain, and distributing new media whose creators use open copyright or Creative Commons licenses.

'The Justices asked all the right questions,' said EFF Senior Staff Attorney Fred von Lohmann, lead attorney for StreamCast. 'They were clearly worried about how this ruling would affect the future of technological invention. As Justice David Souter said, we shouldn't hang a sword of Damocles over the heads of America's innovators.'

The Court will likely issue a decision in late June or early July.

More about MGM v. Grokster.

Contact:

Fred von Lohmann
Senior Intellectual Property Attorney
Electronic Frontier Foundation
fred@eff.org

"

(Via EFF: Press.)

March 28, 2005

Mark Cuban on Grokster

Mark Cuban on Grokster: "

Mark Cuban is a content owner. A content owner who understands that 'bits are bits' and wants the customer to get those bits 'in the way the customer wants to receive' them. A content owner who's exploring a range of digital content creation and distribution options. That's why, he says, he's funding the defense of MGM v. Grokster at the Supreme Court.

It won't be a good day when high school entrepreneurs have to get a fairness opinion from a technology oriented law firm to confirm that big music or movie studios wont sue you because they can come up with an angle that makes a judge believe the technology might impact the music business. It will be a sad day when American corporations start to hold their US digital innovations and inventions overseas to protect them from the RIAA, moving important jobs overseas with them.

That's what is ahead of us if Grokster loses.

With Cuban's help, we hope content owners and technology companies won't have to face that future. Thanks Mark!

"

(Via Wendy: The Blog.)

March 27, 2005

Mark Cuban Comes Out (Donna Wentworth)

Mark Cuban Comes Out (Donna Wentworth): "

...as a 'little content' guy who decided to step up and defend innovation against Big Content by funding the Grokster defense (emphasis, mine):


It doesn't matter that the RIAA has been wrong about innovations and the perceived threat to their industry, EVERY SINGLE TIME. It just matters that they can spend more then everyone else on lawyers. That's not the way it should be. So, the real reason of this blog. To let everyone know that the EFF and others came to me and asked if I would finance the legal effort against MGM. I said yes. I would provide them the money they need. So now the truth has been told. This isn't the big content companies against the technology companies. This is the big content companies, against me. Mark Cuban and my little content company. It's about our ability to use future innovations to compete vs their ability to use the courts to shut down our ability to compete. It's that simple.

CNET piece; Slashdot discussion.

"

(Via Copyfight.)

March 16, 2005

Good News from the Broadcast Flag Fight (Donna Wentworth)

Susan Crawford has the scoop (emphasis, mine):


Good news from the DC Circuit today, which issued an opinion asking for further facts about petitioners' right to be in front of them complaining about FCC's jurisdiction in the broadcast flag matter. Everyone (including, apparently, the FCC) assumed quite reasonably that the petitioners had every right to be there -- in other words, everyone thought petitioners had "standing."

But the DC Circuit wasn't so sure about it. Under the applicable legal standard, you have to show a concrete, particularized, actual/imminent harm from an administrative rule in order to complain about it. The petitioners in this case include the American Libraries Association, Public Knowledge, and EFF. (Things would have been simpler if a single consumer electronics manufacturer had wanted to face the ire of the content community and join the lawsuit.)

At oral argument, petitioners' concrete etc. harm was sharply questioned -- how was one consumer's harm any different from that of the rest of the populace?

The court has given petitioners two weeks to provide statements of facts showing special harms caused by the broadcast flag rule -- and has provided some helpful hints: show us whether any of your members are engaged in storing TV broadcasts and sending them to distant locations; show us whether you'll be hindered in lawful copying and distribution; show us whether your member-educators (if you have any) will be hindered in distance education efforts.

I think this court wants to find standing. Once this legal threshold is in place, the court can walk right in and declare that the FCC had no jurisdiction to adopt the flag rule. And we'll be back at Congress.

The implications of this case are much broader than they may appear on the surface. FCC is asserting very broad jurisdiction over anything associated with the overall circuit of messages sent and received via all interstate radio and wire communication. The Madison River flap of two weeks ago is part of this overall picture. I don't think the FCC's powers extend beyond what is specifically given them by Congress -- and Congress hasn't given the FCC the internet, PCs, or consumer electronics devices.

When this hot potato is back in Congress's lap, it should act to lead the world in self restraint. Don't do it. Don't let one industry (content, law enforcement, or telecom) control another (high-tech innovation) without a strong social consensus to do so.

[Copyfight]

Copyright Bull***t (Donna Wentworth)

Siva Vaidhyanathan @ Sivacracy, unearthing yet another demonstration of fair use dying a slow death:


Apparently Princeton Professor Harry Frankfurt does not understand his own job.

As a professor and author of the new book Bullshit, he has taken it upon himself to be a copyright cop as well. He sent a personal cease-and-desist letter to Paul Schmelzer, author of the brilliant and essential blog, Eyeteeth: A journal of incisive ideas.

Why? Because Paul quoted [a small portion] of his book. ...Here is text from his (copyrighted, of course) cease-and-desist letter:

Dear Mr. Smelzer:

It has come to my attention that you have placed a copy of my essay "On Bullshit" on your website. I appreciate the compliment. As you may know, however, the essay has recently been published as a book by the Princeton University Press. The management of the Press and I are concerned that your use of my essay may interfere with sales of the book. In any case, it constitutes a clear infringement of my copyright. I must ask you, therefore, to remove the essay from your website as soon as possible.

Sincerely,
Harry Frankfurt


Now, I seriously doubt that Princeton University Press objects to a blogger quoting from one of their books for commentary or criticism. I would shudder to think that a major academic publishing house would be that ignorant of or hostile toward fair use.

In the spirit of using fair use before we lose it, Siva has some additional advice:

If you have a blog out there, copy and paste the exact text that got Paul in trouble. Post in on your blog. See what happens.

Better yet, someone at Princeton should scour Professor Frankfurt's body of work for his use of quotes from copyrighted material. Could he really have made a career without quoting?

[Copyfight]

March 12, 2005

French Court Says Downloading for Private Use May Be Defensible (Donna Wentworth)

Via Frank Field @ Furdlog, this news from Audionautes.net: "On Thursday, the French Court of Appeal of Montpellier released a 22-year-old Internet user free of charges after he was sued for copying nearly 500 movies on Internet, burning them on CDs and sharing them with friends. The Court based its decision on the article L-122-5 of the French Intellectual Property Code stating that 'authors can't forbid copies or reproductions that are only intented for the private use of the copyist.'"

CoCo blog (who helpfully provides a link to the statute in English):


This does not mean that the Court has judged that movie downloading is now legal in France on a general basis. Though I have not (yet) seen the judgment, it (probably) gives the indication that private use may be a defense against a claim of copyright infringement for downloading. While this might be called a recognition of the private copying clause in the digital environment, it is not clear if this will hold up. There are currently about 50 comparable criminal cases pending, and in the past users have been sentenced for these acts.

[Copyfight]

January 31, 2005

On Copyright Law and Myopia (Donna Wentworth)

Seth Schoen has a nice exercise in reductio ad absurdum, pointing out that the only argument the Business Software Alliance (BSA) makes in its recent legislative agenda to refute the notion that copying is beneficial to society is that restricting copying will make the software industry larger and more profitable. Says Seth, "The idea that helping a business sector get larger and richer is a primary duty of legislators or of the public is so peculiar that it bears trying to come up with a few parallel arguments."

For example, BSA asserts:


Some have attempted to paint copyright piracy as a victimless crime, arguing that "if I make a copy of a computer program, you still get to keep your copy, and we are both better off." This is hardly the case.

Reducing piracy offers direct benefits. The equation is a basic one: the lower the piracy rate, the larger the IT sector and the greater the benefits.


...so Seth suggests we might also argue:

Some have attempted to paint conjugal sexual intimacy as a victimless crime, arguing that "if you and I have intimate relations, we both derive pleasure and a sense of togetherness, and we are both better off." This is hardly the case.

Reducing sex among committed partners offers direct benefits. The equation is a basic one: the lower the intimacy rate among committed partners, the larger the prostitution sector, and the greater the benefits.


BSA's logic is not unlike that of the National Association of Broadcasters (NAB). As Fred von Lohmann points out in Kill P2P to Save TV?, its brief in MGM v. Grokster suggests that the northern star for copyright law ought to be whether or not it keeps a single group of businesses -- broadcasters -- big and rich. Or more specifically, that one particular business model (adverts) for one particular industry be protected.

Of course, BSA and NAB are doing no more than using the best arguments they have to further their own self interest. But it's important to recognize the arguments for what they are: myopic. You can argue all you want that because intellectual property protection is good, any form that props up your particular business model is also good -- but that doesn't make it so.

[Copyfight]

January 25, 2005

Once More Into the Betamax Breach (Donna Wentworth)

Yesterday, the major motion picture studios and the recording industry filed a brief [PDF] in MGM v. Grokster arguing that the Betamax defense "should not apply when the primary or principal use of a product or service is infringing." They specifically reject the "mere capability" test that the majority of the Supreme Court endorsed in 1984.

Fred von Lohmann has now posted a response over at Deep Links. The gist? Primary uses for new technologies shift over time. If we substitute a "primary use" test for mere capability, entertainment companies would no longer see the need to explore whether they can ultimately make money from new technologies. Instead, they'd have an "incentive to let slip the dogs of litigation as early as possible," before a new technology starts proving its noninfringing potential. So while the Betamax test has allowed technological innovation to move forward, a "primary use" test would cause it to start moving in retrograde.

Ed Felten also has a must-read post on two of yesterday's briefs -- the Solicitor General's brief [PDF] and a brief from a group of anti-porn and police organizations [PDF]. He points out errors amici are making with regard to technology, arguing that the briefs "are caught between nostalgia for a past that never existed, and false hope for future technologies that won't do the job." In the effort to bring down Grokster et al, for example, they make arguments that could apply to the Internet as a whole:


These arguments (as the lawyers say) prove too much, as they would apply equally to the Internet itself, which is ignorant of use and content, does not register most of its users or monitor their activities, does not limit the types of files that can be shared, and is generally anonymous, decentralized, unsupervised, and unfiltered.

Fascinating stuff -- and no doubt there will be much more to come. Once again, the spots to watch for briefs are here and here.

[Copyfight]

January 21, 2005

Supreme Court Date Set for Grokster

Washington, DC - The US Supreme Court set the date for the oral argument in MGM v. Grokster for March 29, 2005, in Washington, DC. EFF is defending StreamCast Networks, the company behind the Morpheus peer-to-peer (P2P) software, against 28 of the world's largest entertainment companies.

The companies first brought this lawsuit against the makers of the Morpheus, Grokster, and KaZaA software products in 2001, hoping to obtain a legal precedent that would hold all technology makers responsible for the infringements committed by the users of their products. The entertainment companies lost in District Court, then lost again on appeal to the Ninth Circuit Court of Appeals.

The lower court rulings were based on the Supreme Court's landmark decision in the 1984 Sony Betamax case, which determined that Sony was not liable for copyright violations by users of the Betamax VCR.

On March 29, the Supreme Court will hear oral arguments from both sides. A final ruling is expected by the end of July 2005.

Contacts:

Cindy Cohn
Legal Director
Electronic Frontier Foundation
cindy@eff.org

Fred von Lohmann
Senior Intellectual Property Attorney
Electronic Frontier Foundation
fred@eff.org

[EFF: Press]

January 08, 2005

Music Industry Must Respect Privacy of Filesharers

A big win for freedom. Making the Music Industry play by the same rules everyone else has to is a big plus.

Ruling in Charter Case Smashes DMCA Subpoena Powers

The Eighth Circuit Court of Appeals issued a decision today that will stop entertainment corporations from gaining access to the names of people using peer-to-peer (P2P) networks unless the companies file lawsuits against them and furnish actual evidence of copyright infringement.

The case was sparked by a series of subpoenas sent by the Recording Industry Association of America (RIAA) to Missouri-based Internet service provider (ISP) Charter Communications, Inc. The record companies claimed that these subpoenas, which demanded that Charter identify customers accused of offering infringing music on P2P networks, were authorized by the Digital Millennium Copyright Act (DMCA).

The Electronic Frontier Foundation (EFF), along with 21 other groups, including the American Civil Liberties Union (ACLU), the Consumer Federation of America (CFA), and the Computer & Communications Industry Association (CCIA), filed a "friend of the court" brief in the Charter case, urging the Eighth Circuit to determine that the same strong protections applied to anonymous speech in other contexts also apply when copyright infringement is claimed but has not yet been proven. In a victory for privacy and anonymity, the Eighth Circuit determined that DMCA subpoenas could not be used to get this information.

EFF Staff Attorney Wendy Seltzer noted that the RIAA has already changed its tactics for the better in current suits against filesharers. In these new cases, record companies generally file suit against "John Does." Said Seltzer, "In the 'Doe' lawsuits RIAA members are currently filing, a judge oversees the discovery process and can help protect ISP customers before their names are revealed." EFF has filed amicus briefs in several of the Doe cases, and some judges have limited the record labels' discovery of identities through mass lawsuits.

In December 2003, the DC Circuit ruled that the RIAA could not use the DMCA's non-judicial subpoenas to obtain subscriber identities from ISP Verizon Internet Services, Inc. "Charter should be congratulated for following in the footsteps of Verizon in standing up for the privacy of its users," said EFF Legal Director Cindy Cohn. The US Supreme Court rejected the RIAA's appeal of the Verizon case. Today's Eighth Circuit decision is an explicit endorsement of the DC Circuit's ruling.

Contacts:

Cindy Cohn
Legal Director
Electronic Frontier Foundation
cindy@eff.org

Wendy Seltzer
Staff Attorney
Electronic Frontier Foundation
wendy@eff.org

[EFF: Press]

EyeTV: Get Your Fair Use While the Getting's Good (Donna Wentworth)

We've had quite a few dicussions in the space about Hollywood's attempts to rob you of your fair use rights in order to sell them back to you (see here, here, and here). Today Fred von Lohmann has published a review of El Gato's EyeTV -- a Mac product that allows people to make fair uses of high-definition digital television broadcasts. One such fair use might be recording a clip of a movie like "The Lord of the Rings: Fellowship of the Ring" to use in the context of discussion/review -- and this is precisely what Fred has done [500 MB+ Bit Torrent download].

In only seven months, the FCC's "broadcast flag" regulatory regime will go into effect -- and the regime does not recognize the right to fair uses like this one. But if you purchase devices that aren't hobbled now, you'll be able to keep making perfectly legal uses of recorded broadcasts despite the flag.

For more about EyeTV and the issues surrounding the flag, check out this post @ Deep Links.

[Copyfight]

New Berkman White Paper: Content and Control (Donna Wentworth)

Check out Content and Control, the Digital Media Project's latest white paper. Copyfighter Derek Slater had a hand in researching and writing the paper; as he describes it via email, it's aimed at helping legislators and others understand the end-game results of policy/technology choices we're making to control filesharing and digital copyright infringement in general. More specifically, it considers how these choices might impact a set of budding and/or proposed business models for digital media. Right up our alley.

[Copyfight]

The iTunes/Apple Lawsuit and a Much Overdue Comparision to Microsoft

An interesting analysis from the DRM Blog whose link is at the end of the story

In case you haven't heard by now, a gentlemen named Thomas Slattery has filed a lawsuit in the U.S. District Court in San Jose (9th Circuit I believe) against Apple and iTunes. He makes the argument that we at DRM Blog have been spouting for a while, that Apple is using its marketing strength to lock customers into their hardware and software.


Many people think that Slattery has no chance of winning, that the lower courts shy away from ruling on such matters. But we think that his lawyers know exactly what they're doing.

"Apple has unlawfully bundled, tied, and/or leveraged its monopoly in the market for the sale of legal online digital music recordings to thwart competition in the separate market for portable hard drive digital music players, and vice-versa," the suit charged.


no one's said it outright yet, but Slattery's lawyers are making the same arguments that were used against Microsoft and Internet Explorer several years ago when the courts ruled against the software giant.


So I'll call it how I see it. I think they have a shot, if for no other reason than that they can show precedence with a similarity of business predatory business practices and pricing between Apple and Microsoft. Actually, their business models aren't all that disparate, perhaps reversed but certainly similar. Microsoft makes software that will work on the lowest common denominator of computers to lock in the largest number of people to its software products. Apple makes unique hardware that locks users into using its software products. The same business model approached from different views.


Now it's time for a little history lesson. Microsoft's main legal downfall during their anti-trust battle was that they used their market position to predatorily price a product to undercut similar products that were being sold by the competition. In that case it was Internet Explorer which they gave away for free and bundled (key words there) it with their operating system. By doing so, they made it virtually impossible for Netscape and other companies to sell their browsers when another one was being given away for free.


Apple has essentially done the same thing. Apple gave away their iTunes multimedia player software completely free first to MacIntosh users then bundled (there's that word again) the player software with the iTunes store software for PC users.


Then Apple priced songs at far below market value, 99-cents, a level that many have argued Apple can not be making a profit on, and at best, can only break even. The courts understand that consumers will naturally choose a lower-priced product, and that predatorily low prices have routinely been used by market leaders to drive out competition.


Finally, Apple wrapped it all up in their FairPlay DRM agreement, to which all users are required to consent, that forbids all music purchased from iTunes from having the DRM removed. Although you can burn a back-up of your songs to CD (the Redbook CD format, the standard that all CD players recognize), but allows no transfer of said purchased songs to other mp3 players (i.e. Apple's competition). And since it breaks the DRM agreement to do so, a customer is forbidden to rerip that back-up CD to mp3 form. Thus, to truly take your digital music on the go, you have to buy their iPod. Check out iTunes Music Store's ToS. It says you're allowed to export your music for personal use, but literally can't because the songs won't play on any other device.


Another argument that begs to be made is that Apple took the open mp4 standard and changed it so that it would not work with standard mp4 players. By wrapping their digital rights management scheme around it, Apple broke an open standard. Compare this with Sony's approach. Sony took ATRAC and added DRM that locked it down. The difference is that Sony owns ATRAC and ATRAC was never an open licensed standard. This can also be compared to Nintendo and its console market. Nintendo was clearly the market leader in the console market but no other manufacturer could build cartridges for the Nintendo. This was challenged in court several times and Nintendo always won. The reason that both Sony and Nintendo will always win these cases is that those two companies were using proprietary technology that was never licensed to anyone else. The reason that this might hurt apple is that MP4 is an open standard that Apple licensed from another company and consumers have the assumption that their MP4s will work with any MP4 player.


Under the guise of intellectual property protection, Apple has created a very predatory business model intended to lock consumers into their technology. They sell the songs to sell the device, but the real problem is that they've potentially violated anti-trust laws to do it. One way that Apple could probably diffuse this issue would be to simply licens FairPlay to other hardware and software makers.


I should also add that the Ninth Circuit is one of the most liberal courts and tends to be overturned more than another other circuit. What this means is that regardless of the outcome, we may very well see this case, or another one like it, go all the way to the Supreme Court, or at least be remanded back down to the lower courts by the Supreme.

[DRM Blog]

December 01, 2004

How to Get In the Game (Donna Wentworth)

One way: give up today's (and/or tomorrow's) wildly over-priced Starbucks latte and make a donation to IPac.

IPac

Wired has a nice new piece explaining why this will make a difference for the copyfight in the US, including a few words from uber-copyfighter Rep. Rick Boucher (D-VA) -- one of the six pro-balance candidates IPac supported in this past election.

Later: Chris Cohen:


IP is an area of legislation where politicians can hand huge rewards to companies at the expense of the public without really getting any negative attention. People just don't know how important IP law is, don't realize they are actually the ones losing out, or don't care because IP doesn't make for a great above-the-fold story. As the copyright law has expanded so massively in the last decade, however, the public's interest in IP has really been piqued.
...
It is only natural that eventually an IP PAC would pop up. It would obviously make a huge difference to the future direction of IP law if the public took such an interest in IP that politicians were forced to react, and particularly if donors other than the MPAA and the RIAA began to consider IP issues in who they supported financially. That will be a next step that may be a few years off but appears to be happening.

[Copyfight]

November 20, 2004

More good McCain work - From Larry Lessig

Senator McCain has become an important force for good in the land of IP extremism. I reported a hold he had placed on H.R. 4077 because of valid concerns about whether the freedoms it granted (to enable parents to filter "smut" from films) would be read to deny fair use in other cases.

The same careful eye has now caught a very elegant trap buried within the Intellectual Property Protection Act of 2004.

That bill adds some "Anti-Counterfeiting Provisions" to regulate counterfeit or illicit "labels." Most thought its target was physical labels. But a careful reading revealed a real ambiguity in the statute, suggesting (as the MPAA believed) it regulated both tangible and intangible labels.

Why is that a problem? Well if the act makes it an offence to distribute unauthorized copies of labels, then there's a very simple way for content owners to hack around fair use: embed a watermark into the content, and then any clip, even if fair use, would also constitute an unauthorized copy of a label. Thus, DMCA-like, what copyright law gives, this labeling law would take away.

Senator McCain is thus floating an amendment, to limit the regulation of "illicit labels" to physical labels only. And he has proposed a savings clause, which states:

Savings Clause.--Nothing in Section 2318 of title 18, United States Code, as amended by this title, shall be construed to restrict defenses or limitations on rights under title 17, United States Code, for a phonorecord, a copy of a computer program, a copy of a motion picture or other audiovisual work, a copy of a literary work, a copy of a pictorial, graphic, or sculptural work, or a work of visual art, that a genuine certificate, licensing document, registration card, or similar labeling component is (1) affixed to, enclosing, or accompanying, or (2) designed to be affixed to, enclose, or accompany.

Very nice work by a very careful Senator. The Justice Department had expressed similar concerns about an earlier version in March. But the Senator has now given those concerns real life.

[Lessig Blog]

November 16, 2004

Senate May Ram Copyright Bill

Yet another encroachment of Hollywood into our homes in an attempt to dictate what we do with materials we PURCHASE from them. It's bad enough that they block our ability to forward through commercials on DVDs, but now they want to make it ILLEGAL to fast forward through them with your Tivo or ReplayTV. Absolutely pathetic. It's about time consumers stood up and said "enough is enough."

As early as this week, the Senate may try to quickly pass a bill that would radically change copyright law in favor of Hollywood and the music industry. One provision: Skipping commercials would be illegal. Michael Grebb reports from Washington. [Wired News]

October 29, 2004

Court Orders New Protections for People Targeted by RIAA

Public Interest Groups Help Protect Anonymity of Accused Infringers

Pennsylvania - A district court in eastern Pennsylvania has issued an order that will for